LIST Biomechanics
Man-BM1

monologues (online):

male:

female:

scenes (comedy): Pygmalion
Mikado
The Importance of Being Earnest
Inspector General
12th Night
"Small Chekhov" (one-scts)

drama: 3 Sisters
Cherry Orhard
Uncle Vanya
Seagull

Oedipus
Hamlet
20th century:

Vocal warmups:
A. Sigh, visualizing something that makes you sigh.
B. Vacuum the lungs
C. Touch sound. [huh; huh, huhhhhhhh; huh, hmmmmmmm]
D. make a continuous huh, move the vibrations up and down the spine.
E. Build the volume of the sound without adding stress to the system.
F. Work on tongue twisters, using an intent to communicate.

StudentPages
Student Pages:
Insctructions on Instructions

* Illustrations: historical images (old archives), photos from my own productions, pix from the classics (fine art & sculpture). In short, everything that demonstrates the dymanics of body and that is copyright free. *

Webmaster
webmaster
* Run lines you have memorized, keeping your focus outside yourself.
* Work on monolog and/or scene.

*

classes

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PHYSICAL WARM UPS

1. Head rolls: Stand up right, feet shoulder width apart and gently roll the head in a circle. DO NOT collapse the neck in the back, keep the head in controlled circle. Roll left to right five times then reverse the direction.

2. Shoulder and arm circles: Stand up right, feet shoulder width apart and roll the shoulders in a circle, back to front for five times and then reverse front to back. Then bring the arms parallel to the floor and swing in circles. Begin with small circles and gradually increase the circumference until the arms have made a complete circle.

3. Arm Flex: Stand up right, feet shoulder width apart and extend the arms parallel to the ground. Turn the hands upwards so the fingers point toward the ceiling and the hands form a ninety degree angle to the wrist. Flex the fingers toward the body so there is obvious tension and hold the arms perfectly parallel for two to three minutes. DO NOT STOP BREATHING! After the time limit is up, drop the arms and shake out the arms and shoulders.

4. Do general stretching for the legs- nothing special here. Thighs, hamstrings, ankles etc.

5. Face: "Squinch" the face together, like a sour face, and hold. Then "open" the face, open the eyes and mouth as wide as they can go. Repeat three or four times. Next, place the tongue tip on the inside of one cheek and make thirty to forty circles with the tongue. Move to the other side and repeat, then lastly, circle the tongue around the front of the mouth.

6. "Puppet": Stand upright, feet shoulder width apart and imagine that a string has been drawn out of the top of your head and is pulling you up towards the ceiling. Do not rise up on the toes or anything, just keep the feeling of being pulled and supported by the string, like a puppet. Then, the string is cut. Drop forward at the waist and let your arms and head dangle loosely. Shake the shoulders and head gently to relax and hang there for a minute or so. Then, very slowly, raise back up - one back vertebra at a time - so that the head is the last part of the body to straighten up.

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improv Page *
UAF info *

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